Living room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 55:15 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 71 · shots 322–322. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- living_room (living room, interior) evidence: frame:1
- People
- adult male, wearing dark suit and light shirt, standing, medium build visible, audible
- boy, wearing light shirt and tie, standing, looking up at p1 visible, audible
- Seen happening
- The man holds a paper and stands beside the boy in a room with patterned wallpaper. [frame:1]
- Also said
- “I guess I'm not as interested in the laughing cowboy as much as I used to be.” 55:38 · “wives” 55:43
- Seen
- paper [frame:1], patterned wallpaper [frame:1], chair [frame:1], bed or table with cloth [frame:1]
- Interpretation
- Model opinion, not evidence: mood: quiet, conversational, slightly confused or playful; themes: father-son dialogue, childhood curiosity, work and identity; style notes: medium shot, static framing, studio lighting, black-and-white, domestic interior
A man and a boy stand in a room with patterned wallpaper; the boy asks questions about being a 'red deer' and whether his father likes his job, while the man responds briefly. The transcript includes fragmented dialogue about checks and a laughing cowboy.
“Do you like being red, dear?” 55:22 · “Do you really like being red deer?” 55:25 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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