Living room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 1 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 47:33 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 58 · shots 239–240. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- living_room (living room, interior) evidence: frame:1
- People
- Annie (named at t:48:04): woman, dark hair in updo, wearing a light-colored long-sleeved dress with floral embroidery visible, audible
- Sam (named at t:47:44): man, light hair, wearing a dark suit and tie visible, audible
- Seen happening
- A woman and a man walk across a living room together. [frame:1]
- The woman and man continue walking, turning away from the camera. [frame:2]
- Also said
- “Well, I think it's a little ridiculous for us to argue about my son.” 47:53 · “All right, Sam.” 48:11
- Seen
- armchair, side table with lamp, curtained window, framed artwork, cabinet or sideboard, flower arrangement
- Interpretation
- Model opinion, not evidence: mood: tense and strained; themes: domestic conflict, parental responsibility, gender roles; style notes: medium two-shot, static framing, studio lighting, period costume, formal interior decor
A man and a woman walk through a decorated room while arguing about the woman's son and the man's radio broadcast. The woman reluctantly agrees to join the man and child after he insists.
“Does it bother you having your son around?” 47:42 · “As far as I know, nothing. I'm trying to understand what's the matter with you.” 47:46 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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