Theatre
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.
Play from 59:57 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 28 · shots 47–47. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- (theatre, interior) evidence: frame:1
- People
- Molly McCorkell (named at t:60:04): woman, 20s-30s, curly dark hair, wearing a sequined dress and necklace visible
- Horace Hite (named at t:60:00): unseen, male voice audible
- Also said
- “And here she is, the charming Molly.” 60:08 · “He's never been south of the border. He's never been Argentine way. But when he starts to fit, the chances are he'll forget that he's a caballero from Broadway.” 60:57
- Seen
- microphone with 'GBC' logo, sequined dress, necklace
- Interpretation
- Model opinion, not evidence: mood: theatrical and romantic; themes: performance, romantic deception, identity and pretense; style notes: medium close-up, studio lighting, formal attire, microphone branding visible
A woman in a sequined dress stands before a microphone labeled 'GBC' while a voice introduces her as Molly McCorkell and announces the song 'Broadway Cavaliero'. The lyrics describe a charming, deceptive man who pretends to be a Latin lover but is actually from Broadway.
“This is Horace Hite, and the first number on our program is Broadway Cavaliero.” 60:00 · “featuring Miss Molly McCorkell. McCorkell!” 60:04 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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