Beach
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 10:46 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 15 · shots 64–64. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- beach (beach, exterior) evidence: t:10:49
- Time of day
- dusk or night evidence: t:11:23
- People
- Roger (named at t:11:31): man, visible in close-up, dark clothing, medium build visible, audible
- woman, visible in close-up, dark clothing, medium build visible, audible
- Seen happening
- The man and woman are shown in close-up, facing each other indoors. [frame:1]
- Also said
- “When you're with me, you're safe.” 11:02 · “Where's that big shed reporter here? Putting the paper to bed? Oh, there's no sentiment in newspaper business. New Year's Eve is just like any other night.” 11:46
- Seen
- close-up of man and woman
- Interpretation
- Model opinion, not evidence: mood: intimate, slightly tense; themes: romance, safety, transience; style notes: close-up framing, high contrast lighting, black and white
A man and a woman are on a beach at dusk or night; they speak about swimming lessons and safety, then discuss leaving before the last train. The scene ends with a close-up of them facing each other indoors, suggesting a transition from the beach to a private space.
“I thought you said we were going to have a place to ourselves. Oh, just the ocean, the beach I couldn't get.” 10:49 · “When your arms are holding me up...” 11:00 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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