Cemetery
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 1 quote checked against the transcript; 2 names checked for a spoken or on-screen source; 1 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 6:43 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 21 · shots 47–52. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- cemetery (other, exterior) evidence: frame:1
- People
- woman, blonde hair, light coat, appears distressed visible, audible
- person in dark coat, face blurred, appears to be attacking or holding p1 visible
- Seen happening
- Woman leans against tombstone, looking distressed [frame:1]
- Person in dark coat appears to grab or hold the woman [frame:2]
- Woman continues to lean against tombstone, face showing distress [frame:3]
- Woman looks upward, mouth open as if speaking or shouting [frame:4]
- Seen
- tombstone [frame:1], light coat [frame:1], dark coat [frame:2]
- Interpretation
- Model opinion, not evidence: mood: tense, fearful; themes: survival, fear, isolation; style notes: black and white, handheld or shaky camera movement, close-ups on faces, high contrast lighting
A woman in a light coat is seen in a cemetery, leaning against a tombstone and looking distressed. A second person is briefly visible in a dark coat, and the woman speaks the line 'Come on.'
“Come on.” 6:43 automatic transcript, may be wrong
The record
Public domain through a copyright notice omitted on release in 1968, a rule this registry does not yet apply; the finding is the film's own documented history, not a catalog check. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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