Cemetery
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 0 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 6:08 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 19 · shots 35–39. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- cemetery (other, exterior) evidence: frame:1
- People
- woman, light coat, blonde hair, running visible
- man, glasses, dark coat, patterned tie, standing visible
- dark coat, seen from behind, back to camera visible
- Seen happening
- A woman runs through a cemetery. [frame:1]
- A blurry view of trees and tombstones in the cemetery. [frame:2]
- A man and woman stand together, looking off-camera. [frame:3]
- A woman runs away from a figure in dark coat seen from behind. [frame:4]
- Also said
- “Stop it. You're acting like a child. Look, they're coming for you. Look, there comes one of them now.” 6:14 · “He'll hear you. Here he comes now. I'm getting out of here. Johnny.” 6:22
- Seen
- tombstones [frame:1], trees [frame:2], light coat [frame:1], dark coat [frame:3]
- Interpretation
- Model opinion, not evidence: mood: tense; themes: fear, impending threat, family conflict; style notes: black-and-white, handheld or shaky framing, medium to long shots, natural outdoor lighting
A woman in a light coat runs through a cemetery while a man in glasses and a dark coat stands nearby; another figure is seen from behind. The transcript indicates a tense exchange about an approaching threat.
“Stop it!” 6:08 · “You're ignorant. They're coming for you, Barbara.” 6:09 automatic transcript, may be wrong
The record
Public domain through a copyright notice omitted on release in 1968, a rule this registry does not yet apply; the finding is the film's own documented history, not a catalog check. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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