Jail
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 3 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 1 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 3:52 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 5 · shots 28–28. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- jail (jail, interior) evidence: frame:1
- People
- man in a suit and fedora, holding a cigarette visible, audible
- man in a striped shirt, behind bars visible
- man in a guard’s uniform with a cap visible
- Seen happening
- The man in the suit gestures while speaking. [frame:1]
- The man behind bars listens while the guard stands nearby. [frame:1]
- Also said
- “My office was in the Trafalgar building, just on the edge of Chinatown. Oh, in Chinatown. No, not right in. You know California Street from the hill at Stockton? Yeah. Well, coming down the hill on the cable car, you can just see my office. Third floor front.” 4:03
- Seen
- jail bars [frame:1], cigarette [frame:1], fedora [frame:1], guard's cap [frame:1]
- Interpretation
- Model opinion, not evidence: mood: noirish, conversational; themes: crime, past life, urban setting; style notes: medium shot, high-contrast lighting, static framing, period costume
A man in a suit and hat speaks to a man behind bars while another man in uniform stands nearby. The speaker describes his past business in San Francisco, mentioning the Trafalgar building and Chinatown.
“You may not know this, but I wasn't always a detective.” 3:52 · “Before they pinned this murder rap on me, I had one of the sweetest little rackets in San Francisco. A legitimate business? Better than legitimate, it was profitable.” 3:55 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
Share
Paste the permalink anywhere that shows link previews and it carries the frame, the time and the finding. The card image can be saved and used with a credit.
- Permalink
- always the current cut
- Permalink to this version
- warns if the beats are recut later
- Card image
- https://publicreel.org/cards/moment/my_favorite_brunette/b11.png
- Figure for a newsletter or page
- Cite