Public Reel

My Dear Secretary · Beat 13 · permalink

Private office

18:13–21:50 Released 1949; registered 1948

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 1 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 20:0220:02

Play from 18:13 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 7 · shots 17–17. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • woman, wearing a suit jacket and skirt, mid-30s to 40s, average build visible, audible
  • Steve (named at t:20:26): man, wearing a light shirt and tie, mid-30s to 40s, average build, holding a jacket visible, audible
Seen happening
  • The man and woman are visible in a room, the man holding a jacket. [frame:1]
Also said
“Hello, Steve.” 20:26 · “Look, Steve. Let's have dinner one night this week.” 20:55
Seen
jacket [frame:1], tie [frame:1], suit jacket [frame:1]
Interpretation
Model opinion, not evidence: mood: tense and conversational; themes: professional relationships, personal boundaries, gender roles in workplace; style notes: medium shot, black and white, studio lighting, two-character framing

A man and a woman are in a room; the woman speaks while the man listens and reacts. The transcript includes dialogue about leaving, preparing lunch, and a phone call to someone named Steve.

“You know, ever since her husband died and left her seven buildings, she's been a peeping Tom. Now, come on, Steve. Let's you and I prepare lunch. Look.” 18:30 · “I stayed only because I didn't want to cause a scene in front of your landlady, but... I'm really leaving now. What am I leaving? What am I leaving? Take your stop. Come on, take it down. Get your pants. Well, where's your pants? Well, you're trying to have a pair. You can't spot a car, but I guess we're not a pair. Get your pants away.” 18:42 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

Share

Paste the permalink anywhere that shows link previews and it carries the frame, the time and the finding. The card image can be saved and used with a credit.

Frame from My Dear Secretary (1949) at 20:02 (passage 18:13–21:50); US record: No renewal found

Permalink
always the current cut
Permalink to this version
warns if the beats are recut later
Card image
https://publicreel.org/cards/moment/my_dear_secretary/b13.png
Figure for a newsletter or page
Cite