Restaurant
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 4 names checked for a spoken or on-screen source; 1 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 55:37 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 104 · shots 517–518. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- restaurant (restaurant, interior) evidence: frame:1
- People
- man wearing hat and suit, seated at counter visible
- man in light shirt, standing, pointing visible
- Dan Spiemer (named at t:55:37): man with dark hair, wearing jacket, on phone visible, audible
- man in hat, seated, partially visible visible
- Seen happening
- A man points toward another man seated at the counter. [frame:1]
- Dan Spiemer is on the phone, looking concerned. [frame:2]
- Also said
- “Yeah, he ordered doughnuts.” 55:37 · “- John Doe. - Come on in. - I know, my brother. - I know, my brother.” 56:07
- Seen
- telephone, counter, doughnut jar, hats
- Interpretation
- Model opinion, not evidence: mood: urgent and conspiratorial; themes: identity, public recognition, media frenzy; style notes: medium shots, high contrast lighting, shallow depth of field focusing on characters, period costume
A man is identified as John Doe by others in a public setting; another man is seen on the phone, speaking about John Doe's presence. The scene takes place in a diner or cafe with patrons visible.
“Come on! That's John Doe. John Doe? Yeah, sitting right there, big as lie.” 55:37 · “Hey, operator. Dan Spiemer. We're all everybody in town. John Doe was just in my place.” 55:37 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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- Permalink
- always the current cut
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- warns if the beats are recut later
- Card image
- https://publicreel.org/cards/moment/meet_john_doe/b211.png
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