Porch
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 3 quotes checked against the transcript; 5 names checked for a spoken or on-screen source; 1 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 3:04 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 5 · shots 19–22. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- porch (other, exterior) evidence: frame:1
- People
- man, tan coat, wide-brimmed hat, standing near bull visible
- Carlos (named at t:3:06): man, white shirt and pants, climbing tree near porch visible
- Mr. McClintock (named at t:3:13): man, vest and hat, facing p1 visible, audible
- man, dark coat, on horse-drawn cart visible
- children, in background near cart visible
- Seen happening
- A man in a tan coat stands beside a bull on a porch. [frame:1]
- A man in a vest speaks to the man in the tan coat while others stand nearby. [frame:2]
- A man in white climbs a tree on the porch. [frame:3]
- The man in the vest turns to look at the man climbing the tree. [frame:4]
- Also said
- “My brothers! They got the big hats already!” 3:16
- Seen
- bull, porch with stairs, tree, horse-drawn cart, wide-brimmed hats
- Interpretation
- Model opinion, not evidence: mood: comic tension; themes: humor, family dynamics, Western setting; style notes: wide shots, natural lighting, outdoor setting with mountains, characters in period Western attire
A man in a tan coat stands near a bull on a porch while another man in white climbs a tree; a third man in a vest speaks to the man in tan. The setting is outdoors with mountains visible.
“Get out of here, Bunyan. Good morning. Good morning. Carlos, what are you doing up there?” 3:06 · “I hope I get it this time, Mr. McClintock.” 3:13 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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