Road
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.
Play from 10:54 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 31 · shots 96–98. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- road (road, exterior) evidence: frame:1
- People
- Mr. McLintock (named at t:10:57): man in cowboy hat, light shirt, brown vest, red bandana visible, audible
- man in black hat, dark suit, black bow tie visible
- group of men in cowboy hats and period Western clothing, seated on train car visible
- Also said
- “But you just can't make them go on the Mesa Verde.” 11:07 · “God made that country for buffalo.” 11:11
- Seen
- red train engine, train car with passengers, cowboy hats, bandana, formal suit and bow tie
- Interpretation
- Model opinion, not evidence: mood: tense and confrontational; themes: land ownership, frontier conflict, man vs. nature; style notes: wide shots, natural daylight, Western costume detail, train as central prop
A man in a cowboy hat stands near a red train engine while speaking with others; a group of men in period Western attire are seated on a train car; the same man is later seen standing beside another man in formal attire. The dialogue references land, homesteads, and the Mesa Verde.
“That right, Mr. McLintock? You begrudge us a little free land? There's no such thing as free land.” 10:57 · “You make these homesteads go, you'll have earned every acre of it.” 11:03 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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