Public Reel

McLintock · Beat 374 · permalink

Living room

1:38:43–1:39:04 Registered 1963

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 2 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 2 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 1:38:471:38:47Frame at 1:38:561:38:56Frame at 1:39:031:39:03

Play from 1:38:43 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 238 · shots 846–848. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
living_room (living room, interior) evidence: frame:1
Time of day
night evidence: frame:3
People
  • woman with long dark hair, wearing a light-colored dress, visible from behind visible
  • Katie (named at t:99:01): man in light-colored clothing, standing outdoors visible
Seen happening
  • A woman stands inside a room looking out a window. [frame:1]
  • The woman looks out at a man standing in the yard. [frame:2]
  • A weather vane is visible on a roof against a dark sky. [frame:3]
Seen
weather vane, window with curtains, desk with lamp, bench
Interpretation
Model opinion, not evidence: mood: romantic and urgent; themes: romantic declaration, reunion, domestic space; style notes: low-key lighting, medium close-up on interior, long shot to exterior, night setting

A woman stands inside a dimly lit room looking out a window at a man in the yard; a weather vane is visible on a roof at night. The transcript includes a declaration of love and a call for 'Katie' to come home.

“And I'll love her till I die, kitty!” 98:55 · “Katie Giloni! Come rest this home, Katie!” 99:01 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from McLintock (1963) at 1:38:47 (passage 1:38:43–1:39:04); US record: No renewal found

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