Living room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 1 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 1:25:07 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 217 · shots 730–731. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- living_room (living room, interior) evidence: frame:1
- People
- man with gray hair, wearing white suit jacket and black bow tie visible
- man with dark hair, wearing brown vest over patterned shirt visible
- Drago (named at t:85:22): man seen from back, wearing dark coat, walking away visible, audible
- Seen happening
- Two men stand facing each other in a room. [frame:1]
- A third man walks away from the two men toward a doorway. [frame:2]
- Also said
- “What does the reactionary mean?” 85:29 · “Oh, he's arguing with him. College boy.” 85:43
- Seen
- wooden cabinet with glass doors [frame:1], framed painting on wall [frame:1], candlestick lamp on table [frame:2], dark coat held by man [frame:2]
- Interpretation
- Model opinion, not evidence: mood: tense and conversational; themes: social class, generational conflict, economic history; style notes: medium two-shot and over-the-shoulder framing; warm interior lighting; period costume and set design
Two men stand in a room as a third man walks away; dialogue includes farewells and a discussion about 'reactionary' labels. The setting is an interior room with period furnishings and lighting.
“Well, good night, sir. Good night, Mrs. McClendon. Good night, and do come again.” 85:14 · “Good night, Drago. Night.” 85:22 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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- https://publicreel.org/cards/moment/mclintok_widescreen/b330.png
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