Corral
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.
Play from 7:14 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 27 · shots 64–67. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- corral (other, exterior) evidence: frame:1, frame:2, frame:3, frame:4
- Time of day
- daytime evidence: frame:1, frame:2, frame:3, frame:4
- Period
- 19th century evidence: frame:1, frame:2, frame:3, frame:4
- People
- McLintock (named at t:7:28): older man, wearing a light-colored cowboy hat, tan jacket with fringe, and light shirt; medium build visible, audible
- younger man, wearing a dark cowboy hat, red shirt, dark vest, and bandana; lean build visible, audible
- Also said
- “You do what you want, McLintock. We'll do what we want.” 7:24 · “Fellas my age generally call me GW or McLintock.” 7:28
- Seen
- cowboy hats [frame:1, frame:2, frame:3, frame:4], cattle [frame:2, frame:4], wooden corral fence [frame:2, frame:4], horse [frame:1, frame:3], bandana [frame:2, frame:4]
- Interpretation
- Model opinion, not evidence: mood: tense and confrontational; themes: territorial conflict, frontier justice, generational address norms; style notes: wide outdoor shots, natural daylight, period costume detail, medium close-ups during dialogue
Two men in cowboy attire converse near a corral with cattle; one identifies himself by the name McLintock. The setting is an open, sunlit outdoor area with wooden fencing and distant hills.
“So the first time I find one of our hides wearing our brand hung on one of them settlers fences,” 7:14 · “I aim to kill me a plow boy.” 7:21 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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- https://publicreel.org/cards/moment/mclintok_widescreen/b33.png
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