Yard
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 5 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.
Play from 1:13:26 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 181 · shots 613–615. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- yard (other, exterior) evidence: frame:1
- People
- man in brown coat and hat, medium build, 30s-40s visible, audible
- Funtleroy Sage (named at t:73:33): man in light suit, older, mustache, wearing red neckerchief visible, audible
- young man in brown jacket, clean-shaven, 20s visible, audible
- man in dark suit and hat, standing behind p2 visible
- man in light shirt and dark vest, holding camera, behind lattice visible
- Also said
- “Well, I'm no farmer, but if you're young Ben's uncle, yes, I whipped him.” 73:36 · “What's intruding mean? Budding in.” 73:41
- Seen
- lattice fence, white metal table and chairs, potted plant, camera, cowboy hats, red neckerchief
- Interpretation
- Model opinion, not evidence: mood: tense and confrontational; themes: confrontation, misunderstanding, family loyalty; style notes: medium shots with natural outdoor lighting, characters framed against a lattice fence and open landscape, suggesting a Western setting
A man in a brown coat confronts another man identified as Funtleroy Sage, who claims to be the uncle of a boy he whipped; the confrontation occurs outdoors near a lattice fence with other men present. The dialogue includes an exchange about 'intruding' and a misunderstanding of the term.
“Oh, so you're the young farmer boy that whipped my nephew.” 73:29 · “Well, I'm Funtleroy Sage, young Ben's uncle.” 73:33 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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