Public Reel

McLintock · Beat 222 · permalink

Train

1:03:39–1:03:52 Registered 1963

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 2 quotes checked against the transcript; 6 names checked for a spoken or on-screen source; 0 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 1:03:451:03:45

Play from 1:03:39 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: topic shift in dialogue. Sequence 138 · shots 504–504. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
train (train, exterior) evidence: frame:1
People
  • man in cowboy hat and brown coat, standing facing women visible
  • woman in pink hat and light dress, standing in group visible
  • woman in beige coat, standing next to p2 visible
  • man in dark suit, standing behind women visible
  • woman in green dress, visible in background visible
  • man in dark suit, visible in background visible
Seen happening
  • A man speaks to a group of women near a train. [frame:1]
  • A woman in a pink hat and another in a beige coat stand together. [frame:1]
  • A man in a cowboy hat stands facing the women. [frame:1]
Seen
train [frame:1], cowboy hat [frame:1], pink hat [frame:1], beige coat [frame:1]
Interpretation
Model opinion, not evidence: mood: tense or confrontational; themes: social class, family authority, stranger danger; style notes: wide shot, natural daylight, period costume, outdoor setting near train

A man in a cowboy hat speaks to a group of women near a train; one woman wears a pink hat and another a beige coat. The transcript mentions a character named Dave and references 'Elia' while discussing strangers.

“Don't want any sister of mine talking to strangers. Dave is not a stranger. He clerks in burn bars.” 63:39 · “He's an Elia.” 63:47 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from McLintock (1963) at 1:03:45 (passage 1:03:39–1:03:52); US record: No renewal found

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