Train
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 5 names checked for a spoken or on-screen source; 1 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 1:01:45 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 138 · shots 487–489. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- train (train, exterior) evidence: frame:2, frame:3
- People
- man wearing a tan coat and wide-brimmed hat, standing near train cars visible
- man wearing a dark hat, green vest, and holding a rifle visible
- man wearing a dark suit and bow tie, standing beside p2 visible
- Puma (named at t:61:58): man in Native American attire, partially visible in group behind p1 visible, mentioned
- Darce Big McClintock (named at t:62:00): man in tan coat and hat, facing others visible, audible
- Seen happening
- A man in a tan coat raises his hand near train cars. [frame:2]
- A group of men, including one holding a rifle, stand near train cars. [frame:3]
- Also said
- “Puma, honored enemy.” 61:58 · “Darce Big McClintock forget, but also Blood Brother. No, I'll never forget that.” 62:00
- Seen
- train cars [frame:2], rifle [frame:3], wide-brimmed hat [frame:2], tan coat [frame:2]
- Interpretation
- Model opinion, not evidence: mood: solemn and ceremonial; themes: friendship, reconciliation, western frontier; style notes: wide shots, natural daylight, outdoor setting with train cars as backdrop
A group of men, including one in a tan coat and hat, stand near train cars in a desert setting. One man speaks to another, referencing 'Puma' and 'Blood Brother' in a moment that appears to acknowledge a past bond.
“Hey, I...” 61:52 · “Yatta hey, my friends! Yatta hey!” 61:54 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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