Living room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 1 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 54:24 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 122 · shots 441–441. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- living_room (living room, interior) evidence: frame:1
- People
- older man, gray hair, muddy patterned shirt, holding a glass visible, audible
- McLintock (named at t:55:14): older man, gray hair, muddy light shirt, holding a glass visible, audible
- Mrs. Warren (named at t:55:14): woman, enters frame, not fully visible visible, audible
- Seen happening
- Two muddy men stand indoors holding drinks and talking. [frame:1]
- Also said
- “You know something, women are funny. She fought like a wildcat on your side out there this afternoon. Come home, she slams the door in your face. That divorce business, is that what you get when you pay a woman not to live with you?” 54:45 · “Good morning, Mrs. Warren. Good morning, Mr. McLintock. Breakfast for the boss? If that's the way you want it, Mr. McLintock.” 55:14
- Seen
- glass, muddy shirts, biscuits
- Interpretation
- Model opinion, not evidence: mood: wry and conversational; themes: gender roles, marital conflict, domestic routine; style notes: medium two-shot, studio lighting, costumes show physical activity (mud), props suggest domestic setting
Two muddy men in stained shirts stand indoors, holding drinks and talking about divorce and women. A woman enters, serves biscuits, and greets them as 'Mrs. Warren' and 'Mr. McLintock' before offering breakfast.
“Any luck?” 54:25 · “Divorce. She said I wanted you.” 54:30 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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