Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 1 quote checked against the transcript; 4 names checked for a spoken or on-screen source; 0 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 37:49 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 71 · shots 288–289. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- private_office (private office, interior) evidence: frame:1
- People
- man seated at table, wearing vest and red bandana, middle-aged, stocky build visible
- woman standing, wearing bright green dress and large yellow hat, red hair, middle-aged visible, audible
- man seated across table, white hair, wearing white shirt and dark vest, older visible
- man standing in background, dark suit, middle-aged visible
- Seen happening
- A woman in a green dress stands beside a seated man at a table while another man sits across from them and a fourth stands behind. [frame:1]
- The woman raises a glass to her lips while the seated man looks at her. [frame:2]
- Seen
- chessboard [frame:1], glass [frame:2], large yellow hat [frame:1], red bandana [frame:1]
- Interpretation
- Model opinion, not evidence: mood: tense but composed; themes: negotiation, gender roles, frontier etiquette; style notes: medium two-shots, warm studio lighting, period costume detail prominent
A woman in a green dress and large hat stands beside a seated man in a vest and bandana, while another man sits across from them at a table; a fourth man stands in the background. The woman speaks about needing to talk and mentions waiting for daylight when fighting Indians.
“Now, Mr. McClintock, we have an awful lot to talk over. First thing I learned about Indian fighting was to wait for daylight.” 37:56 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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