Public Reel

Little Men · Beat 212 · permalink

Courtroom

1:02:26–1:03:13 Released 1940; registered 1941

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Not yet checked. The automatic checks have not run on this beat. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 1:02:441:02:44Frame at 1:03:031:03:03Frame at 1:03:091:03:09

Play from 1:02:26 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 96 · shots 495–497. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
courtroom (courtroom, interior) evidence: frame:1
People
  • older man, white hair, wearing a dark suit and bow tie, seated behind a bench visible, audible
  • man with dark hair in a textured jacket, seen from behind visible, audible
Seen happening
  • A man in a textured jacket faces a judge behind a bench. [frame:1]
  • The judge, holding a bottle, speaks sternly. [frame:2]
  • The judge gestures with his hand while holding the bottle. [frame:3]
Also said
“You know what you can do with them.” 63:10 · “A $50,000 proposition for $2,500.” 62:47
Seen
bottle, portrait of George Washington, wooden bench
Interpretation
Model opinion, not evidence: mood: tense and confrontational; themes: legal dispute, financial loss, judicial authority; style notes: static medium shots, high-contrast lighting, formal courtroom framing

A man in a courtroom speaks to a judge, who responds sternly while holding a bottle. The transcript includes legal and financial terms, a reference to a horse and wagon, and the judge's advice to sell them for glue and kindling.

“I paid the swindler $100. This court's advice is to sell the horse for glue and the wagon for kindling one.” 62:59 · “But what can I do with these bidders?” 63:06 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Little Men (1940) at 1:02:44 (passage 1:02:26–1:03:13); US record: No renewal found

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