Saloon
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 13:15 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 27 · shots 63–64. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- saloon (bar, exterior) evidence: frame:2
- Time of day
- night evidence: frame:2
- Period
- 1940s evidence: frame:1, frame:2
- People
- Jim (named at t:13:38): man wearing a fedora and light-colored suit, seated in passenger seat, smoking visible, audible
- man wearing a fedora and dark suit, seated in driver's seat, looking forward visible, audible
- Seen happening
- Two men sit in a convertible car, one smoking, the other driving. [frame:1]
- The car is parked or moving slowly in front of a building labeled 'SALOON'. [frame:2]
- Also said
- “Third Army.” 13:57 · “I'm going to go.” 14:22
- Seen
- convertible car [frame:1, frame:2], fedora hats [frame:1], SALOON sign [frame:2], cigarette [frame:1]
- On screen
- {'value': 'SALOON', 'evidence': 'frame:2'}
- Interpretation
- Model opinion, not evidence: mood: somber, conversational; themes: post-war transition, military service, personal connection; style notes: black-and-white, medium close-up on car interior, wide exterior shot at night, naturalistic lighting
Two men are seated in a convertible car, one driving and the other in the passenger seat, conversing. The car is parked or moving slowly near a building labeled 'SALOON' at night.
“What's your line, Jim?” 13:38 · “I'm a better salesman than anything else.” 13:42 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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