Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 2 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 10:17 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 23 · shots 48–50. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- private_office (private office, interior) evidence: frame:1, frame:2, frame:3
- People
- man, mid-30s to 40s, wearing a dark suit, tie, and fedora hat visible, audible
- woman, 20s to 30s, wearing a light-colored blouse with lace or embroidery, hair in curls visible, audible
- Seen happening
- A man stands in a doorway looking out. [frame:1]
- A woman holds a telephone receiver to her ear. [frame:2]
- The man is now at a phone booth, speaking into the receiver. [frame:3]
- Also said
- “You really mustn't, darling. I'm going to be perfectly all right, really.” 10:38 · “Well, I've done something you're not going to like. You remember Aunt Margaret back in Illinois?” 10:46
- Seen
- telephone receiver, phone booth, fedora hat, suit and tie, patterned wallpaper, curtains
- Interpretation
- Model opinion, not evidence: mood: tense and conversational; themes: miscommunication, domestic tension, unplanned consequences; style notes: black-and-white, medium close-ups, studio lighting, static camera
A man in a suit and hat is seen in a doorway and at a phone booth, while a woman in a blouse speaks on the phone in a room with patterned wallpaper. The dialogue suggests a conversation about a missed appointment, a dentist, and an action involving 'Aunt Margaret' in Illinois.
“Where's that new woman who was gonna meet me?” 10:19 · “It's after five o'clock.” 10:21 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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