Public Reel

Impact · Beat 241 · permalink

Courtroom

1:45:39–1:46:12 Registered 1949

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 5 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 1:45:401:45:40Frame at 1:45:551:45:55Frame at 1:46:101:46:10

Play from 1:45:39 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: topic shift in dialogue. Sequence 175 · shots 393–395. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
courtroom (courtroom, interior) evidence: frame:2
People
  • man with mustache, dark hair, wearing dark suit and tie, seated visible
  • older man with white hair, wearing dark suit, standing visible
  • woman with blonde hair, wearing dark hat and coat, standing visible
  • man with dark hair, wearing plaid suit and tie, seated visible
  • woman with blonde hair, wearing necklace, seated in background visible
Also said
“Well, you must walk in your sleep, then, for you spent at least part of that night at the airport hotel in Oakland, where you registered for Mr. and Mrs. J. Burns. Don't waste the court's time trying to deny it.” 105:53 · “This is the registration card that you signed at 9.20 p.m.” 106:03
Seen
registration card [t:106:03], courtroom furniture [frame:2], flag [frame:2]
Interpretation
Model opinion, not evidence: mood: tense and confrontational; themes: justice, deception, accusation, legal confrontation; style notes: black-and-white, medium close-ups, formal courtroom framing, high-contrast lighting

A courtroom scene unfolds where a woman is accused of lying about her whereabouts on the night of a murder, with evidence presented including a hotel registration card and a witness. A man in a suit is shown listening intently as the accusation is made.

“Yet on the very night he was killed, you had a rendezvous with a man named Burns, didn't you?” 105:42 · “I don't know what you're talking about. I don't know any man named Burns. I was at home that night, very ill. Oh yes, the sleeping pills.” 105:46 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Impact (1949) at 1:45:40 (passage 1:45:39–1:46:12); US record: No renewal found

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