Public Reel

Impact · Beat 233 · permalink

Hotel lobby

1:41:24–1:42:55 Registered 1949

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 4 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 1:42:091:42:09

Play from 1:41:24 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 171 · shots 377–377. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(hotel lobby, interior) evidence: frame:1
People
  • man wearing a dark fedora and overcoat, standing at a desk visible
  • man in a suit seated behind the desk, looking at papers visible
  • woman in dark dress, back to camera, standing at desk visible
  • man in suit standing to right of woman, looking at desk visible
Seen happening
  • Four people are gathered at a hotel reception desk, examining documents. [frame:1]
Also said
“Look, Quincy, the handwriting on the card is identical to that on the photograph. Here's a little boy the same thing, the cover-up telegram to Ed Murphy.” 102:15 · “Sue Lynn's theory, the diary which played in the field.” 102:55
Seen
hotel reception desk [frame:1], wall clock [frame:1], documents/papers [frame:1]
Interpretation
Model opinion, not evidence: mood: tense and investigative; themes: investigation, mystery, hotel setting as locus of clues; style notes: black-and-white film noir style; medium shot framing; high-contrast lighting; characters grouped around a desk suggesting interrogation or discovery

A group of people are gathered at a hotel reception desk, discussing a case involving a room reservation and handwriting evidence. The dialogue references names like Su Lin, Jay Burns, and George Baxter, and mentions a hotel room (302) and a telegram.

“Here it is, yes. Room 302, Airport Hotel, Oakland. Maybe we got our miracle. A special little Chinese one. It is to hope that Su Lin, who's a small help to Mr. William, oh Su Lin. Come on, copper, next stop, Oakland, a certain little ladies' hotel rendezvous.” 101:36 · “Just found a couple of cars for room 302 on June 9th. George Baxter checked out at noon.” 102:01 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Impact (1949) at 1:42:09 (passage 1:41:24–1:42:55); US record: No renewal found

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