Living room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 1:13:23 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: cutting rhythm changes. Sequence 131 · shots 268–269. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- living_room (living room, interior) evidence: frame:1
- People
- Mom (named at t:73:52): older woman, wearing a dark polka-dot dress, seated at a table, then standing visible, audible
- man, seated at table, wearing dark shirt, visible from chest up visible, audible
- Seen happening
- Woman sits at table, hands resting on tablecloth near a plate of food. [frame:1]
- Woman stands and faces seated man, appearing to speak to him. [frame:2]
- Also said
- “I'm going next door for a while. Grandma Thompson's ill.” 73:54 · “Yeah, Mom.” 73:52
- Seen
- lamp, plate with food, chair, curtains, chandelier
- Interpretation
- Model opinion, not evidence: mood: reflective and domestic; themes: family trust, aging, domestic responsibility; style notes: medium shots, static framing, soft lighting, period interior decor
A woman in a polka-dot dress sits at a table, then stands and speaks to a man seated at the same table. The transcript includes reflections on trust and age, and the woman announces she is going next door because Grandma Thompson is ill.
“Because I found out about it doesn't give me the right to tell anyone else, not even Marsha.” 73:23 · “When you trust folks, you trust them. And you give them a chance to work out things the way that seems right to them.” 73:29 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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