Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 4 names checked for a spoken or on-screen source; 1 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 57:11 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 19 · shots 222–222. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- (private office, interior) evidence: frame:1
- People
- overweight man, wearing a dark suit, bowler hat, and tie, holding money visible, audible
- Pettybone (named at t:57:12): slimmer man, wearing a dark suit, bowler hat, and patterned tie, receiving money visible, audible
- Fred (named at t:57:39): not visible audible
- Olsen (named at t:57:23): not visible audible
- Seen happening
- A man hands money to another man in an office. [frame:1]
- Also said
- “Here, $50 on account. Will you wait, Olsen? I'll tell you in one minute. Oh, you forgot to tell me what a city city does. I'll explain it all tomorrow. Is it hard? No, no, easy, very easy. Well, that's good, because my health is... Well, we'll fix that, too. My wife? Yeah, fix anything. Go ahead.” 57:26 · “Fred, Fred, they're still on the phone. All right. Tell them to shoot to kill. What? You heard what I said. But the repeat, Fred. I have to do as I tell you. All right. Hello, Olsen.” 57:39
- Seen
- money, bowler hats, suits, office desk or counter
- Interpretation
- Model opinion, not evidence: mood: tense and transactional; themes: corruption, bribery, authority and obedience; style notes: medium two-shot, black-and-white, studio-lit, formal attire, static framing
Two men in suits and hats are in an office-like interior; one hands money to the other while speaking. A phone conversation is referenced in the transcript, and instructions are given about going to an address and staying quiet.
“Yes, but how do I know that... Come here and see me in my office tomorrow. What's your name? Pettybone, what's yours? Pettybone? Not really. No, no, no. All you've got to do is to lay low and keep your mouth shut. Well, I'm tired anyhow. Here, go to this address. Nice homey place.” 57:12 · “Now take good care of you. Just tell them French sent you.” 57:23 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
Share
Paste the permalink anywhere that shows link previews and it carries the frame, the time and the finding. The card image can be saved and used with a credit.
- Permalink
- always the current cut
- Permalink to this version
- warns if the beats are recut later
- Card image
- https://publicreel.org/cards/moment/his_girl_friday/b90.png
- Figure for a newsletter or page
- Cite