Public Reel

His Girl Friday · Beat 77 · permalink

Private office

49:11–49:25 Released 1940; registered 1939

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 3 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 1 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 49:1549:15Frame at 49:2149:21Frame at 49:2349:23

Play from 49:11 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 15 · shots 201–203. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • Haley (named at t:49:21): man in suit and tie, mid-30s to 40s, medium build visible, audible
  • woman with dark hair, wearing a dark coat, mid-30s to 40s visible, audible
Seen happening
  • A man holds a telephone receiver to his ear while seated at a desk. [frame:1]
  • A woman holds a telephone receiver to her ear while seated at a desk. [frame:2]
  • The man continues speaking on the phone, looking down at papers. [frame:3]
Also said
“Wait a minute, your mother's alive. My grandmother's grave. Don't be technical, Haley. What's the story?” 49:21
Seen
telephone, desk, papers
Interpretation
Model opinion, not evidence: mood: tense and urgent; themes: negotiation, deception, professional urgency; style notes: tight close-ups, high-contrast lighting, static camera framing

A man and a woman are on the phone in an office, discussing money and a story. The man swears on his grandmother's grave after being corrected about his mother.

“Sure, sure, sure. You'll get it. Now, what's the story?” 49:13 · “I'll send the money right down to you. I swear it on my mother's grave. All right, here's the...” 49:16 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from His Girl Friday (1940) at 49:15 (passage 49:11–49:25); US record: No renewal found

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