Public Reel

His Girl Friday · Beat 116 · permalink

Private office

1:12:15–1:12:38 Released 1940; registered 1939

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 1:12:271:12:27

Play from 1:12:15 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: topic shift in dialogue. Sequence 26 · shots 290–290. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(private office, interior) evidence: frame:1
People
  • man wearing a suit and hat, standing, holding papers visible
  • woman wearing a suit and hat, seated at a typewriter visible
Seen happening
  • A man stands holding papers while a woman sits at a typewriter in an office. [frame:1]
Also said
“While hundreds of Sheryl Hartwell's paid gunmen storked through the city shooting innocent bystanders, spreading their reign of terror, Earl Williams was lurking less than 20 hours in the church. Wait a minute, wait a minute, aren't you going to mention the post? Doesn't the paper get any credit?” 72:23 · “Oh, I did that right there in the second paragraph. Who's going to read the second paragraph? Listen, honey, for 10 years I've been telling you how to write a newspaper story in this morning. Oh, I'm sorry.” 72:23
Seen
typewriter [frame:1], papers [frame:1], desk lamp [frame:1], fan [frame:1], coat rack [frame:1]
Interpretation
Model opinion, not evidence: mood: tense and conversational; themes: journalism, workplace dynamics, gender roles in media; style notes: medium shot, studio lighting, static framing, black-and-white film

A man and a woman are in an office; the man stands holding papers while the woman sits at a typewriter. The transcript includes dialogue about a news story and mentions of Bruce and Earl Williams.

“- How's it coming, honey? - Oh, all right, I guess.” 72:15 · “- Where's Bruce? - Oh, he went out. - Is he coming back here? - Certainly. What have you got so far? Let me hear it.” 72:17 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from His Girl Friday (1940) at 1:12:27 (passage 1:12:15–1:12:38); US record: No renewal found

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