Public Reel

His Girl Friday · Beat 112 · permalink

Newsroom

1:10:12–1:10:28 Released 1940; registered 1939

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 3 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 1:10:141:10:14Frame at 1:10:221:10:22

Play from 1:10:12 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 25 · shots 274–275. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(newsroom, interior) evidence: frame:1, frame:2
People
  • man wearing a suit, tie, and fedora, seated at a desk with telephones visible, audible
  • man in a suit standing behind p1, looking toward p3 visible
  • woman wearing a hat and dark coat, seated at a typewriter visible
Also said
“Take all those Miss America pictures off, Pagestick. - Tell me, please tell me.” 70:24
Seen
telephone, typewriter, desk, fedora hat, overhead lamp
Interpretation
Model opinion, not evidence: mood: tense and confrontational; themes: professional conflict, personal ultimatums, media workplace dynamics; style notes: tight framing on characters, high-contrast lighting typical of 1940s studio production, medium shots emphasizing dialogue over action

A man in a suit and hat sits at a desk with telephones while speaking; another man and a woman stand nearby in what appears to be a newsroom. The dialogue centers on a question about not wanting to come along, followed by an instruction to remove pictures.

“Better alone, will you, buddy? Will you do me a favor, Bruce, please? I just want you to answer me one question. You don't want to come with me, do you? I need that. Answer me, Hilly. You don't, do you?” 70:13 · “No.” 70:23 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from His Girl Friday (1940) at 1:10:14 (passage 1:10:12–1:10:28); US record: No renewal found

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always the current cut
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warns if the beats are recut later
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