Public Reel

His Girl Friday · Beat 11 · permalink

Private office

5:15–6:18 Released 1940; registered 1939

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 5:475:47

Play from 5:15 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: topic shift in dialogue. Sequence 2 · shots 28–28. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(private office, interior) evidence: frame:1
People
  • Walter (named at t:5:16): man in suit, back to camera, wearing hat visible, audible
  • Hildy (named at t:5:26): woman in striped suit and hat, facing camera visible, audible
Also said
“Delayed our divorce 20 minutes while the judge went out to watch it. Well, I don't want to brag, but I've still got the dimple and in the same place.” 5:46 · “I intended to be with you on our honeymoon, Hildy. Honest, I did. All I know is that instead of two weeks in Atlantic City with my bridegroom, I spent two weeks in a coal mine with John Krupsky. You don't deny that, do you, Walter? Deny it? I'm proud of it. We've beaten the whole country on that story.” 6:08
Seen
striped suit [frame:1], hat [frame:1], office desk [frame:1], office chair [frame:1]
Interpretation
Model opinion, not evidence: mood: tense and nostalgic; themes: marriage, divorce, journalism, regret; style notes: medium two-shot, black-and-white, studio lighting, formal attire

A man and a woman are in a private office, speaking to each other. The woman mentions a divorce, a honeymoon, and a coal mine story, while the man defends his actions and references a dimple.

“Oh, well, I suppose you're right in a way, Walter. Sure, I'm right.” 5:16 · “Latin, I suppose. You must come up and meet my mother. She'd like that, I afraid. Then why on earth did you promise not to fight the divorce and do everything you possibly could to gum up the whole works?” 5:26 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from His Girl Friday (1940) at 5:47 (passage 5:15–6:18); US record: No renewal found

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