Public Reel

His Girl Friday · Beat 100 · permalink

Newsroom

1:00:39–1:01:08 Released 1940; registered 1939

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 2 quotes checked against the transcript; 5 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 1:00:531:00:53

Play from 1:00:39 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: topic shift in dialogue. Sequence 21 · shots 247–247. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
newsroom (newsroom, interior) evidence: frame:1
People
  • woman, dark hair, wearing a dark jacket and light blouse, seated at a desk visible, audible
  • Bruce (named at t:60:46): unseen, voice on phone audible
  • Walter (named at t:60:46): unseen, voice on phone audible
  • Molly Malloy (named at t:60:59): unseen, voice at door audible
  • Earl Williams (named at t:60:46): unseen, mentioned mentioned
Seen
telephone, desk, window showing city lights at night
Interpretation
Model opinion, not evidence: mood: urgent and tense; themes: media frenzy, breaking news, personal interruption; style notes: black-and-white, medium close-up, studio lighting, night window background

A woman is on the phone in an office at night, urgently requesting Walter Burns and mentioning she has captured Earl Williams. She is interrupted by Molly Malloy at the door.

“Get me Walter Burns, quick. Tell him I need him.” 60:39 · “Oh, but Bruce, please. I know I said I'd be down 20 minutes, but something terrific has happened. Hold on. Walter, Hilde, come over here right away. Wait, Bruce, just a second. I'll explain everything. Walter, get this. I've got Earl Williams here. Yeah, right in the press room. Honest, on the level. Hurry, I need you. Right. Bruce, the biggest thing in the world has happened. I've captured Earl Williams. You know, the murderer. Stay down there, Earl. Wait a minute. Listen, Bruce, I'll be down. But just as soon as I hand him over the paper, I'll be right down. Bruce, I can't. Bruce, don't you realize that you... Come on, come here. Who is it? It's me, Molly Malloy. Open the door. What do you want, Molly? I gotta find...” 60:46 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from His Girl Friday (1940) at 1:00:53 (passage 1:00:39–1:01:08); US record: No renewal found

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