Ballroom
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 1 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 27:46 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 41 · shots 219–222. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- ballroom (other, interior) evidence: frame:1
- People
- older man, mustache, wearing tuxedo with bow tie visible
- woman, blonde, wearing formal gown with floral shoulder details and flower in hair visible, audible
- man in tuxedo, partially visible in background visible
- Seen happening
- A woman in a gown turns toward the camera while a man in a tuxedo stands beside her. [frame:1]
- The man and woman stand side by side, looking forward. [frame:2]
- The man turns his head to speak to the woman. [frame:3]
- The woman looks away while the man looks forward. [frame:4]
- Also said
- “I want you to go.” 28:03 · “That man over there.” 28:07
- Seen
- formal gown with floral shoulder details, tuxedo with bow tie, flower in woman's hair, balustrade and chandeliers in background
- Interpretation
- Model opinion, not evidence: mood: formal, slightly tense; themes: social expectation, romantic tension, public performance; style notes: studio-lit ballroom scene, medium shots, formal attire, black-and-white film grain
A man in a tuxedo and a woman in a formal gown stand together in a crowded ballroom; the woman asks how she looks and the man directs her to dance with another man. The transcript includes dialogue about dreams and being sent to dance with 'that man over there' with Lydian Black.
“How do I look?” 27:49 · “I feel charming, too.” 27:52 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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