Ballroom
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 3 quotes checked against the transcript; 7 names checked for a spoken or on-screen source; 0 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 27:10 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 39 · shots 212–215. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- ballroom (other, interior) evidence: frame:1
- People
- woman in white gown, blonde, mid-20s, slender visible
- man in tuxedo, balding, 50s, medium build visible
- woman in dark sequined dress, dark hair, 30s, medium build visible
- man in tuxedo, white hair, 60s, slender visible
- man in military-style uniform with sash, 40s, stocky visible
- woman seated, floral dress, 30s, medium build visible
- unspecified, audible only audible
- Seen happening
- Guests mingle in a ballroom while a woman in a white gown stands apart. [frame:1]
- A woman in a white gown walks down a staircase in the ballroom. [frame:2]
- A group of three people converse, smiling. [frame:3]
- A woman in a white gown stands center stage as others look on. [frame:4]
- Also said
- “I'm going to go.” 27:22
- Seen
- chandelier, staircase, fan, military uniform with sash
- Interpretation
- Model opinion, not evidence: mood: tense and dramatic; themes: social tension, departure, formal gathering; style notes: formal composition, high-contrast lighting, wide shots emphasizing scale and social hierarchy
A woman in a white gown stands in a grand hall as guests in formal attire mingle around her. Spoken lines include exclamations and a declaration of departure.
“Oh, my God.” 27:12 · “Come on.” 27:18 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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