Ballroom
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 2 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 26:12 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 39 · shots 205–207. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- ballroom (other, interior) evidence: frame:1
- People
- woman, blonde, wearing a formal gown with floral details, mid-20s to 30s visible
- Baron (named at t:26:24): man, older, balding, in a tuxedo, 50s-60s visible, audible
- man, younger, dark hair, in a tuxedo, 30s-40s visible, audible
- Seen happening
- A woman in a gown turns toward a man in a tuxedo. [frame:1]
- The woman faces away from the camera, holding flowers, while a man in a tuxedo looks at her. [frame:2]
- The woman smiles as she stands between two men in tuxedos who are shaking hands. [frame:3]
- Also said
- “How are you, Baron?” 26:24 · “fine.” 26:26
- Seen
- tuxedos [frame:1], formal gown with floral details [frame:2], chandeliers [frame:1], columns and arches [frame:1]
- Interpretation
- Model opinion, not evidence: mood: formal, slightly tense; themes: social class, formal interaction, eccentricity; style notes: black-and-white, medium shots, formal attire, ornate set design, studio lighting
A social gathering in a grand hall where a woman in a formal gown interacts with two men in tuxedos; one man is addressed as 'Baron' in the dialogue. The setting includes ornate architecture and a crowd of formally dressed guests.
“Oh, my God.” 26:19 · “Your excellence.” 26:24 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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