Street
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 3 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 24:31 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 33 · shots 191–191. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- street (street, exterior) evidence: frame:1
- Time of day
- night evidence: frame:1
- People
- woman, blonde, wearing formal gown with floral headpiece and gloves visible, audible
- man, dark hair, wearing evening suit with bow tie and holding gloves visible, audible
- Seen happening
- The woman and man stand together outdoors at night, dressed formally. [frame:1]
- Also said
- “I go back to Geneva tomorrow. This is my first trip to Paris. This is my first ball. This is the first time my feet hurt, too. And you are? I'm worn out.” 24:46
- Seen
- formal gown [frame:1], floral headpiece [frame:1], evening suit with bow tie [frame:1], gloves [frame:1]
- Interpretation
- Model opinion, not evidence: mood: formal yet weary; themes: first experiences, social debut, exhaustion after celebration; style notes: black-and-white, medium shot, studio lighting on subjects against dark background, period costume
A woman in formal attire speaks about her first trip to Paris and first ball while standing beside a man in evening wear; the setting appears to be outdoors at night. The dialogue includes her mentioning Geneva, boarding school, and tired feet.
“Now let's go over it once again and this time get it right.” 24:35 · “I attended a girls boarding house after... Boarding school!” 24:41 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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