Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.
Play from 1:16:55 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 115 · shots 595–597. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- private_office (private office, interior) evidence: frame:1
- People
- man, mid-adult, wearing a dark suit and tie, standing visible, audible
- woman, mid-adult, wearing a light dress and a hat, seated visible, audible
- Also said
- “Pretty.” 77:10 · “Thick glasses and pigeon toad. What do you think of this one for the wedding tomorrow?” 77:13
- Seen
- bookshelf, armchair, desk, hat, suit
- Interpretation
- Model opinion, not evidence: mood: tense and critical; themes: social propriety, marital tension, appearance vs. reality; style notes: static medium shots, high-contrast lighting, formal framing
A man and a woman are in a room with bookshelves; the man stands while the woman sits, and they speak about servants, a secretary, and a wedding outfit. The dialogue suggests tension over being overheard and includes a critical comment about someone's appearance.
“Not so loud, I beg of you.” 76:55 · “No.” 77:00 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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