Patio
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 0 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 1:11:54 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 112 · shots 555–558. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- patio (other, exterior) evidence: frame:1
- People
- woman with blonde curly hair, wearing a light-colored dress visible, audible
- man in dark suit and tie, seated, medium build visible, audible
- man in dark suit, standing, medium build visible
- Seen happening
- The woman stands up and begins to walk away from the table. [frame:2]
- The woman speaks to the standing man, who turns to face her. [frame:3]
- The standing man and seated man look at each other after the woman leaves. [frame:4]
- Also said
- “Ah, she's enchanting.” 72:07 · “Mind you, that girl has brains as well as beauty.” 72:09
- Seen
- wicker chairs [frame:1], small round table [frame:1], glassware on table [frame:1], potted plants and trellis [frame:1]
- Interpretation
- Model opinion, not evidence: mood: light, conversational; themes: social interaction, romantic admiration, classical Hollywood dialogue; style notes: medium shots, static framing, high-contrast black-and-white lighting, staged garden setting
A woman in a light dress announces she is leaving to get dressed, while two men watch her; one man comments on her charm and intelligence. The setting is an outdoor patio with wicker furniture and plants.
“Yes, I'm going to get dressed.” 72:00 · “You know, like they do in Geneva.” 72:03 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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