Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.
Play from 5:57 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 12 · shots 52–55. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- private_office (private office, interior) evidence: frame:1
- People
- Professor (named at t:6:05): man, balding, wearing dark suit and tie, medium build visible, audible
- Yves Cadoubert (named at t:6:05): man, dark hair, wearing dark suit, medium build visible, audible
- Eve (named at t:6:13): woman, dark hair in updo, wearing dark dress with white collar visible, audible
- Also said
- “A short while ago, there was a 50-franc note here on this desk, and now it's in your pocket.” 6:19 · “Good, very good.” 6:25
- Seen
- bookshelves [frame:1], desk [frame:3], 50-franc note [t:6:19]
- Interpretation
- Model opinion, not evidence: mood: tense and confrontational; themes: accusation, deception, power dynamics; style notes: medium shots, static camera, high-contrast lighting typical of 1940s film noir, bookshelves suggest intellectual or academic setting
Two men interact in a room with bookshelves; one accuses the other of taking a 50-franc note. A woman is present and addressed as 'Eve' by one man, who identifies himself as 'Professor'.
“Well, my dear Yves Cadoubert, you may call me Professor.” 6:05 · “And now, my dear Eve, but first give me back my 50 francs.” 6:13 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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