Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 1 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 52:24 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 88 · shots 408–412. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- private_office (private office, interior) evidence: frame:1
- People
- blonde woman with curly hair, wearing a checkered collar visible
- Monsieur Pierre de Roche (named at t:52:48): man with dark hair, wearing a dark suit and tie visible
- Seen happening
- A woman looks off-camera with a neutral expression. [frame:1]
- The same woman looks slightly more engaged. [frame:2]
- A man in a suit speaks with an open mouth. [frame:3]
- The woman looks again, expression unchanged. [frame:4]
- Also said
- “Attaché at the embassy.” 52:49 · “Permit me to introduce...” 52:46
- Seen
- checkered collar [frame:1], dark suit [frame:3]
- Interpretation
- Model opinion, not evidence: mood: formal and tense; themes: introduction, emotional tension, social formality; style notes: close-up shots, high-contrast lighting, studio-bound framing
A woman with blonde curls and a man in a suit appear in alternating close-ups. The transcript includes an introduction of 'Monsieur Pierre de Roche, Attaché at the embassy' and fragmented dialogue about a ball and crying.
“You wouldn't dare to let me make you cry again.” 52:38 · “Monsieur Pierre de Roche.” 52:48 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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