Public Reel

Dishonored Lady · Beat 46 · permalink

Living room

19:48–20:09 Registered 1947

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 19:5419:54Frame at 20:0520:05

Play from 19:48 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 23 · shots 104–105. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
living_room (living room, interior) evidence: frame:1
People
  • man, dark suit, seated, holding a cigarette visible, audible
  • woman, dark hair, reclining, wearing a dark sequined top, pearl earrings visible, audible
Also said
“I wanted my own life.” 19:58 · “I don't know. I don't know.” 20:07
Seen
cigarette [frame:1], recliner chair [frame:1], desk with telephone [frame:1], pearl earrings [frame:2], sequined top [frame:2]
Interpretation
Model opinion, not evidence: mood: tense and introspective; themes: personal identity, artistic sacrifice, parental legacy; style notes: close-up framing on the woman's face, high-contrast lighting, static camera, classic noir composition

A man and a woman are in a dimly lit room; the man sits beside the woman who reclines, and they discuss her past as a painter and her desire for an independent life. No names are spoken, and no objects beyond furniture are clearly identifiable.

“Didn't pay enough.” 19:53 · “Besides, I didn't want to be like my father.” 19:55 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Dishonored Lady (1947) at 19:54 (passage 19:48–20:09); US record: No renewal found

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