Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.
Play from 15:26 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 19 · shots 82–83. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- private_office (private office, interior) evidence: frame:1
- People
- woman, dark hair, wearing dark dress, seated at desk visible, audible
- woman, curly blonde hair, wearing leopard-print top, standing near flowers visible, audible
- Mr. Courtland (named at t:15:30): man, dark hair, wearing suit, standing near flowers visible, audible
- Also said
- “Well, who sent these? Mr. Felix Cawson. Mr. Cawson.” 15:38 · “Jealous?” 15:47
- Seen
- desk, telephone, large floral arrangement, leopard-print top, suit, glass block window
- Interpretation
- Model opinion, not evidence: mood: tense and conversational; themes: professional setting, romantic intrigue, absence of a key person; style notes: medium shots, studio lighting, static camera, black-and-white film
A woman sits at a desk in an office while another woman stands near a large floral arrangement; a man enters and examines the flowers. The dialogue indicates someone named Miss Damien is expected but not yet present, and flowers were sent by Mr. Felix Cawson.
“No, Mr. Courtland, she's not here yet. Shall I have her call you?” 15:30 · “Where's Glamour?” 15:36 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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