Public Reel

Dishonored Lady · Beat 168 · permalink

Private office

1:02:11–1:02:33 Registered 1947

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 1:02:131:02:13Frame at 1:02:241:02:24

Play from 1:02:11 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: topic shift in dialogue. Sequence 85 · shots 367–368. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man, mid-30s, light hair, wearing a suit and tie visible, audible
  • woman, dark curly hair, wearing a belted coat visible
Seen happening
  • Man stands facing woman, expression serious [frame:1]
  • Woman walks toward a door while man watches [frame:2]
Also said
“The only thing that you can do for me is let me alone.” 62:13 · “I love you.” 62:20
Seen
suit and tie [frame:1], belted coat [frame:2], paneled door [frame:2], desk lamp [frame:1], wall-mounted patterned panel [frame:1]
Interpretation
Model opinion, not evidence: mood: tense and emotionally charged; themes: emotional conflict, romantic separation, personal boundaries; style notes: medium close-up framing, high-contrast black-and-white lighting, static camera emphasizing character expressions

A man in a suit stands in a room while a woman in a coat walks toward a door; dialogue indicates emotional conflict and a plea for separation. The setting appears to be an interior space with paneled walls and a desk lamp.

“So let's just” 62:11 · “forget about it.” 62:12 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Dishonored Lady (1947) at 1:02:13 (passage 1:02:11–1:02:33); US record: No renewal found

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