Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 1 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 1:01:21 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 85 · shots 361–362. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- private_office (private office, interior) evidence: frame:1
- People
- man, older, wearing a suit and tie, standing with back to camera visible
- woman, dark curly hair, wearing a suit jacket and white collared shirt, facing camera visible, audible
- Seen happening
- A man and a woman stand in a room, facing each other. [frame:1]
- The woman faces the camera and speaks. [frame:2]
- Also said
- “Oh, don't deny it. Of course he made love to you.” 61:33 · “He had a key to your room.” 61:35
- Seen
- wooden desk, bookshelf, door with paneling
- Interpretation
- Model opinion, not evidence: mood: tense and confrontational; themes: deception, accusation, personal betrayal; style notes: medium close-up on the woman, medium shot showing both characters; high-contrast black-and-white lighting; static camera
A man and a woman are in a room; the woman speaks while facing the camera, and the man stands with his back to the camera. The transcript indicates an argument about deception and a third person who had a key to the woman's room.
“You've always lied to me. But I'm not lying now.” 61:27 · “I didn't want to go with him. He said he'd drive me home. And he made love to you, didn't he?” 61:29 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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