Restaurant
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 4 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 50:47 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 66 · shots 292–295. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- restaurant (restaurant, interior) evidence: frame:2
- People
- man in suit and bow tie, mid-30s, medium build visible, audible
- woman in dark fur coat and hat, mid-30s, slender visible, audible
- woman seated at table, wearing hat and patterned dress visible
- man in dark suit, back to camera visible
- Seen happening
- The man and woman sit together at a table with drinks. [frame:4]
- Also said
- “That, though, wouldn't approve. Good luck, my dear, on your treetop. Bye, darling.” 51:05 · “She'll never change, darling.” 51:17
- Seen
- telephone, fur coat, hats, cocktail glasses, patterned booth seating
- Interpretation
- Model opinion, not evidence: mood: tense yet affectionate; themes: social class, romantic farewell, urban nightlife; style notes: medium close-ups and two-shots in a crowded, dimly lit restaurant; high-contrast lighting typical of 1940s noir
A man and a woman speak in a crowded restaurant; the man offers to drive her home as rain falls outside. The woman declines, saying her 'tree town' would not approve, and they part with affectionate farewells.
“Are you all right, darling?” 50:54 · “It's raining. Let me drive you home.” 51:01 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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