Public Reel

Dishonored Lady · Beat 120 · permalink

Restaurant

46:39–47:09 Registered 1947

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 6 names checked for a spoken or on-screen source; 0 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 46:4346:43Frame at 46:5846:58

Play from 46:39 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 62 · shots 258–259. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
(restaurant, interior) evidence: frame:2
People
  • Miss Damien (named at t:46:43): woman, dark coat, hat, dark hair styled up visible, audible
  • Luigi (named at t:46:43): man, bald, wearing tuxedo and bow tie visible, audible
  • Miss Royce (named at t:46:43): woman, seated, wearing dark coat and hat, dark hair visible, audible
  • man, visible in background, wearing suit visible
  • Carl (named at t:47:04): man, seated, wearing suit visible
  • Jean-Louis Damien (named at t:47:02): man, seated, wearing suit visible
Seen happening
  • Miss Damien enters the restaurant and greets Luigi. [frame:1]
  • Miss Damien speaks with Miss Royce and Luigi at a table. [frame:2]
Also said
“Daddy, you look wonderful. A little pale, but so interesting. You know, I can't stay very long. I understand, dear. We'll get right to work.” 46:53 · “I don't know, Carl. You'd better wait till you see the mess I made with” 47:04
Seen
dark coat [frame:1], hat [frame:1], tuxedo [frame:2], bow tie [frame:2], table [frame:2], silver tea set [frame:2], zebra-patterned booth [frame:2], modern ceiling light fixtures [frame:2]
Interpretation
Model opinion, not evidence: mood: formal, slightly tense; themes: return after absence, social formality, impending work or task; style notes: high-contrast black-and-white, stylized modernist set design with geometric patterns, medium shots focusing on character interaction

A woman in a dark coat enters a modern, stylized interior and greets staff and patrons. She speaks with a seated woman and a man in a tuxedo, discussing her return and an upcoming task.

“Hello, Luigi. Is Miss Royce here? She just came in, Miss Damien.” 46:43 · “But it's nice to be back, doesn't it?” 46:50 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Dishonored Lady (1947) at 46:43 (passage 46:39–47:09); US record: No renewal found

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