Bedroom
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 1 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 44:39 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 59 · shots 242–245. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- bedroom (bedroom, interior) evidence: frame:1
- People
- woman, mid-30s, wearing a robe and slippers, dark hair pulled back visible
- Miss Dixon (named at t:44:40): woman, mid-30s, wearing a white blouse with dark suspenders and a decorative headpiece, seated at a vanity visible, audible
- Seen happening
- A woman in a robe enters a bedroom and approaches another woman seated at a vanity. [frame:1]
- The seated woman reads a telegram while holding it in her hands. [frame:2]
- The woman in the robe speaks to the seated woman. [frame:3]
- The seated woman looks up from the telegram and speaks. [frame:4]
- Also said
- “The news?” 44:47 · “He won't be back till Friday.” 44:50
- Seen
- telegram, vanity with makeup brushes, framed portrait on wall, armchair, door
- Interpretation
- Model opinion, not evidence: mood: tense and anticipatory; themes: communication, waiting, domestic space as site of tension; style notes: medium close-ups, static framing, high-contrast lighting typical of 1940s noir
A woman in a robe enters a room and speaks with another woman seated at a vanity; the seated woman reads a telegram. The dialogue indicates the telegram is from someone who will not return until Friday.
“Telegram for you, Miss Dixon.” 44:40 · “I thought I'd bring it up myself.” 44:44 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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