Living room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 54:23 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 136 · shots 360–360. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- living_room (living room, interior) evidence: frame:1
- People
- older man, balding, wearing a plaid shirt, seated visible
- older man, white hair, wearing a dark shirt, seated visible, audible
- woman, dark hair, wearing a dress with a ruffled collar, standing visible
- Seen happening
- Three people are gathered in a room, one standing, two seated, engaged in conversation. [frame:1]
- Also said
- “This man.” 54:39 · “Please.” 54:40
- Seen
- checkered tablecloth [frame:1], wooden chair [frame:1], wall shelf [frame:1]
- Interpretation
- Model opinion, not evidence: mood: tense and urgent; themes: violence, betrayal, recognition, family tragedy; style notes: static medium shot, high-contrast lighting, period costumes, confined framing
Three people are in a dim interior, discussing a violent attack on the Thompson family; one man claims white men, not Indians, were responsible. A woman stands beside two seated men, one of whom recognizes someone involved.
“They're after us.” 54:23 · “'Twas white men our own kind.” 54:32 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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