Living room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 2 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 51:52 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 132 · shots 350–352. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- living_room (living room, interior) evidence: frame:1
- People
- man, dark hair, wearing a light-colored shirt with a front tie visible
- Miss Betty (named at t:52:10): woman, light hair, wearing a dark dress with ruffled shoulders visible
- Colonel Holbrook (named at t:51:52): older man, gray hair, wearing a plaid shirt and dark tie visible
- Seen happening
- A man and a woman are shown in close-up, looking off-camera. [frame:1]
- Colonel Holbrook confronts the man and woman from behind. [frame:2]
- The man in the light shirt looks down, appearing distressed. [frame:3]
- Also said
- “I'll shoot you on sight.” 52:04 · “I'm sorry, Miss Betty.” 52:10
- Seen
- ruffled dress [frame:2], plaid shirt [frame:2], dark tie [frame:2], light-colored shirt with front tie [frame:1]
- Interpretation
- Model opinion, not evidence: mood: tense and confrontational; themes: confrontation, social class, romantic tension; style notes: close-ups and medium shots in black and white, dim lighting with high contrast, static camera
A man and a woman are shown in close-up, then a third man confronts them in a dimly lit interior. The dialogue includes a threat to shoot if the man returns to the house, and an apology to 'Miss Betty' and 'Remy'.
“I'll not go. Colonel Holbrook.” 51:52 · “Not only to yourself... I'll not trade words with you, sir.” 51:57 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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