Street
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 5 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 23:08 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 58 · shots 197–197. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- street (street, exterior) evidence: frame:1
- People
- man in uniform, standing, mid-adult, average build visible, audible
- woman, wearing hat and coat, mid-adult, average build visible
- child, boy, wearing cap and coat, young visible
- child, girl, wearing hat and coat, young visible
- man, standing near wagon, mid-adult, average build visible, audible
- Seen happening
- The group stands near a horse-drawn milk wagon labeled 'LINDON'S'. [frame:1]
- Also said
- “We have one quart extra.” 23:40 · “All right, sir.” 23:43
- Seen
- horse-drawn milk wagon [frame:1], horse [frame:1], milk containers [frame:1]
- On screen
- LINDON'S
- Interpretation
- Model opinion, not evidence: mood: calm, transactional; themes: daily life, rationing, community interaction; style notes: medium shot, natural daylight, static framing, period costume and props
A man in uniform speaks to a woman and two children near a milk wagon; another man greets them in English and French. The scene takes place outdoors during the day, with a horse-drawn wagon labeled 'LINDON'S' visible.
“I'll give her little girl, son. That's for you, sonny. That's all I'm going to give. Now, but let's stop him standing here giving out milk. All right, now, I'll be around again tomorrow, and that's all I'm going to give today.” 23:26 · “Good afternoon, sir. Bonjour, monsieur.” 23:37 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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