Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 18:06 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 54 · shots 163–165. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- (private office, interior) evidence: frame:1
- People
- woman, dark curly hair, wearing a light-colored blouse with a high collar visible, audible
- Toraz (named at t:18:14): man, older, gray hair, wearing a dark suit with a vest and tie visible, audible
- Seen happening
- The woman and man face each other in a room with a door and framed picture visible. [frame:1]
- The man, identified as Toraz, looks at the woman with a serious expression. [frame:2]
- The woman continues speaking, her expression earnest. [frame:3]
- Also said
- “- Toraz.” 18:14 · “We do not kill women and babies.” 18:15
- Seen
- door, framed picture, dark suit with vest and tie, light blouse with high collar
- Interpretation
- Model opinion, not evidence: mood: tense and morally charged; themes: wartime morality, enemy perspective, justification of violence; style notes: medium close-ups, static framing, high-contrast lighting typical of 1940s studio production
A woman and a man are in a room, engaged in a tense conversation about wartime morality. The dialogue references German perspectives and the justification of violence for victory.
“You certainly have every right to feel bitter, but...” 18:07 · “Don't you think that there might be people in Germany who feel equally better toward the Allies?” 18:10 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
Share
Paste the permalink anywhere that shows link previews and it carries the frame, the time and the finding. The card image can be saved and used with a credit.
- Permalink
- always the current cut
- Permalink to this version
- warns if the beats are recut later
- Card image
- https://publicreel.org/cards/moment/british_intelligence/b79.png
- Figure for a newsletter or page
- Cite